Have you guys been enjoying the new Looney Tunes Cartoons show on HBO Max?
I know I have; it’s old-school cartoon cool, done in a beautiful new art and animation style which manages to pay tribute to the classic style, put a slightly modern twist on it and remain timeless.
To my pleasant surprise, many people on the internet seem to be digging the show as well, but one comment in particular caught my attention. Someone on the interwebz said:
“I wish Warner Brothers would give Tom and Jerry this kind of treatment.”
Now I think that’d be a cool idea: why not do a Looney Tunes Cartoons type show for Tom & Jerry? I know there’s a Tom & Jerry movie coming up, but that’s supposed to be one of those live-action/animation hybrids, where it’s live-action humans everywhere and a CGI Tom and Jerry doing Tom and Jerry stuff. Not exactly feeling that.
More recently, there’s been Tom & Jerry Tales…
…And The Tom & Jerry Show…
…Which, while not terrible, were met with mixed reception. Those shows at least tried to recapture the spirit of the original shorts, I’ll give them that, but that might have been part of the problem.
They’ve also appeared in a number of DTVs, usually consisting of them crossing over with some other show, movie or pop-culture character like Jonny Quest and Willy Wonka and the Chocolate Factory.
More recently, a thread popped up on the Anime Superhero forum, where a poster opined the following:
“Warner Bros really should reinvent Tom and Jerry, they need to retire the 1940’s Cat chases Mouse humor. Like reimagine the entire cast with new personalities and have Tom and Jerry talk more often and give it humor similar to shows such as Adventure Time, Gravity Falls, SpongeBob SquarePants, Invader Zim and The Amazing World of Gumball. This would really improve the cartoon for modern times and it would be very entertaining.”
OK, I get the thought of modernizing the characters a tad and expanding their horizons a little more, but “make it similar to Adventure Time, Gravity Falls, SpongeBob Squarepants, Invader Zim and The Amazing World of Gumball?” What does that even mean? Those shows aren’t even similar to one another, and none of them possess any correlation with Tom & Jerry. Make Tom & Jerry like those shows how, exactly??
This same fellow goes on to say:
“The old cat chases mouse formula has been done so much its like beating a dead horse. Warner Bros had the nerve to keep them outdated and unfunny.”
“I don’t understand why that would hurt Tom and Jerry, Nothing wrong with Tom and Jerry feeling like The Marvelous Misadventures of Flapjack or Regular Show. Just better to move up with the times rather than being trapped in the 1940’s.”
Again, I’m not sure where this kid is coming from with “feeling like The Marvelous Misadventures of Flapjack or Regular Show“. What are you saying?
Turn Tom and Jerry into 20-something slackers, have them play video games and shout “OOOOOOOOOOOOOOOOOOOO!” from time to time? The problem with that is that if you try to modernize them too much, then the characters would cease to be Tom & Jerry. Updating characters doesn’t just mean strapping guitars around their waists and have them spouting out a bunch of soon-to-be dated buzzwords, and you can’t stop the characters from chasing and trying to outshine and out-maneuver one another, because that’s who they are and what they do. Tom and Jerry are a CAT and a MOUSE, so they have to act like a cat and a mouse. You take that dynamic away, and they’re not Tom & Jerry anymore. You’d end up with something like Yo, Yogi, and NO ONE wants another Yo, Yogi.
That said, I still think a new Tom & Jerry show could be done. If Warner Bros. gave me the keys to the Maserati and asked me to make a new Tom & Jerry show for HBO Max, here’s how I personally would do it. NOTE: I’m not saying that my way is the best way or the only way, but it is a way. Hear me out. Here’s my pitch:
For one thing, I would take a cure or two from 1975’s Tom & Jerry Show.
Yeah, I know that this show caught a lot of flak for downplaying the mutual animosity between the 2 characters and essentially making them friends, but this show did do some things right: to compensate for the lack of feuding, the writers introduced some silly but funny jokes and shticks that I admit did make me laugh sometimes, and it didn’t entirely remove the slapstick, especially in regards to Tom, who of the duo was basically the more unlucky and prone to be the butt of physical comedy, which has always been the case. I wouldn’t change that, however, I wouldn’t stop them from doing chase gags (because as previously stated, they are a cat and mouse, so they can’t stop doing cat and mouse things) and I wouldn’t put them in random situations that any person could get into (more on that later).
I also would take a couple of cues from Tom & Jerry: The Movie.
I know, I know. Hear me out!
I’m NOT suggesting having the characters don straw hats and canes and sing muscial numbers about the magic of friendship…
No. No. Perish the thought. But there were one or two salvageable ideas from that film, believe it or not. For one thing, I don’t consider it blasphemous to have Tom and Jerry talk, at least sometimes. I’m not suggesting having them speak nonstop like in the Tom & Jerry comics…
Just have them say a few words at a time to pepper and punctuate some scenes, like in several of the original shorts. Yes, Tom and Jerry did talk sometimes in their original cartoons, people tend to forget that. Just do it that way, only a tad more frequently.
I’d also do away with putting the characters in random setting and situations all the time. Another thing I didn’t mind about the movie was how it tried to establish a concrete setting for the characters. Like I said above, I’d stop putting them in human-like situations. I’d keep Tom and Jerry as house pets, but I’d expand the cast to include other characters for them to bounce lines, jokes and stories off of…
…Not just Spike.
In the movie, they ended up living with a girl named Robyn Starling and her gazillionaire adventurer dad….
I’d do something similar to that, combined with Rick and Ginger, the couple who owned Tom and Spike in several episodes of The Tom & Jerry Show, but I’d expand that. The example I cite for this is Harvey Comics’ Little Dot.
Harvey Comics knew they couldn’t have every story just be Dot going ga-ga over spots, so they expanded her comics to depict her indulging in shtick and shenanigans with her assorted kooky relatives.
I’d do something like that: have Tom and Jerry live in a big house/mansion with a wacky family, each of whom has his/her own shtick that can make for entertaining shorts and stories, that way you have more characters to play off of and react to Tom & Jerry and the cat-and-mouse chasing shtick doesn’t need to be thrust into the foreground and done to death. (Have one of the kids be a child prodigy who sometimes uses Tom and Jerry as guinea pigs for their experiments, for example). BTW, you’d be able to see all of the human characters, including their faces. Plus you could add Spike, Tuffy, Butch and/or some of other pets to be in orbit around Tom and Jerry as well.
Basically a more opulent Loud House, with Tom and Jerry (and possibly Spike and Tuffy) as the pets, doing their usual shtick amid or in conjunction with the family’s antics.
Heck, just to pay homage to the old cartoons, why not add classic MGM characters like Droopy…
And Barney Bear in there as well, either as added attractions, or just random weirdos who turn up in the Tom & Jerry shorts from time to time.
Structurally, the show would be similar to Looney Tunes Cartoons, with 2 or 3 main shorts ranging from 1 to 6 minutes in length, with blackout gags and skits in between. You want to keep the stories and plots short and simple because it’s freaking Tom & Jerry. Like the Looney Tunes, Tom and Jerry’s shtick and style of humor don’t lend themselves to drawn out or complicated plots, that’s why those DTVs didn’t work for me.
-Anyways, that what I’d do.
So there you go, Warner Brothers. A way to do a new Tom & Jerry show a la Looney Tunes Cartoons for HBO Max.
Yeah, I know. It’s been a while since either of us did one of these, but I came up with this idea in the best way possible: by not looking for it! Anyways, let’s go!
So….let’s talk about Meet the Robinsons again for a little bit. No reason, I just want to talk about it.
WARNING: If you still haven’t seen Meet the Robinsons yet, don’t read any further because I’m going to spoil the crap out of this film! You’ve been warned!
Meet the Robinsons is an in-house Disney animated film loosely based on the children’s book A Day With Wilbur Robinson (as Damon already noted in Cartoon Country) which debuted in theaters in 2007. The movie was about a twelve year old budding inventor named Lewis who meets a boy from the future named Wilbur Robinson who takes Lewis to the year 2037 to meet Wilbur’s quirky family after a mysterious yet incompetent villain known simply as “Bowler Hatted Guy” steals Wilbur’s dad’s time machine. The movie fared well at the box office and remains one of the Mouse House’s more underrated hits. So surely, Disney would want to cash in one the movie’s success and turn MtR into a franchise by making it into a TV series for children. Surely.
It never happened. There were plans for a sequel to the film with the working title Meet the Robinsons 2: First Date, but these plans were scrapped when John Lasseter became Walt Disney Animation Studios’ new chief creative officer, he called off all future sequels DisneyToon originally planned.
So as of this writing, Meet the Robinsons was never made into a TV series, and honestly, it’s not hard to imagine why, for a number of reasons:
For starters, no one would want to see a MtR TV show set in the boring present; said show would need to take place in the fantastical future, and the film’s main character, a twelve year old genius inventor named Lewis, couldn’t stay in the future for reasons that should be obvious to anyone who saw the film. for those who haven’t (SPOILERS)…
…Lewis turns out to be Cornelius Robinson, Wilbur’s dad in the future. Lewis can’t just live with his future self. That would create a time paradox, and if you’ve read any sci-fi novel, you know that’s bad.
Sure, you could conceivably have a series in which Lewis and Wilbur are traveling through time getting involved in all kinds of wacky shenanigans, but I don’t think that many people would want to see that (I know I wouldn’t). Also, Wilbur couldn’t be having buddy adventures with his father’s younger self. Not only would that potentially alter the future, but…
“It’d just be weird!”
Another reason is likely because of the Robinson family themselves.
While these characters were enjoyably and entertainingly weird, quirky and fun, the fact of the matter is that most of them were not integral to the film’s plot. At all. Among the Robinson’s various members, the only important ones were Franny, Cornelius, Bud and Lucille. The rest of them were just kind of…there. They were much more minor characters (although each of them was a personality rather than a cipher). They contributed to what’s essentially a single character: the lot of them. After their initial scenes, the relatives’ main function was to fill up the numbers.
Also, it’s entirely possible that Disney didn’t see a ton of merchandising potential with a fictional family where most of the members were adults. The general mode of thinking for kid-vid producers is that kids want to see themselves (i.e., other kids) on shows tailored for them. Kids don’t want to see a show starring a bunch of grown-ups unless there’s something special about them (EX: They’re wizards, super heroes, special agents, etc.) Wilbur was the only kid Robinson. In order for a MtR TV show to work, he would need a buddy; someone his own age to have fun and to get into trouble with, and that character couldn’t be Lewis for reasons that were stated previously. Disney wouldn’t be able to build a successful toy line from that and we know how TV executives think:
So yeah, for the reasoning above, I can see why Disney never attempted a Meet the Robinsons TV show. However, I’d like to now offer my ideas on how a potential animated series based on Meet the Robinsons could work. Here’s my pitch:
In the movie, Lewis travels to the year 2037 and meets his future family. That’s only 27 years from now. Therefore, I suggest that we set this series even further into the future and focus on a new generation of Robinsons.
The Robinson’s famous mansion would be the show’s main setting and where many of the episodes would take place.
Damon suggested that as a way to directly connect this show to the 2007 movie, this series could feature Wilbur Robinson as an adult with a family of his own.
Adult Wilbur would be the current president of Robinson Industries, having inherited his famous family’s business and compound. And even though this would be a Disney production, we won’t be killing off the mother of this family! Wilbur would be happily married with a wife and several children.
Heck, while we’re at it, Wilbur’s wife could not only be alive, but black! The two of them could have some mixed race children. Who says that all of the Robinsons have to be white? We’re progressives here. Deal with it!
So the series would focus mostly on the Robinsons children, each of whom has their own set of quirks, obsessions and talents, which would make for some entertaining moments as they all play around getting into futuristic hijinks in their wacky, high tech, physics defying mansion. Each episode could consist of several recurring segments taking part in various parts of the mansion and focusing on one or more of the Robinson’s children, with the parents showing up at certain points to join in on the fun. Also, since these Robinsons would all be siblings, the audience wouldn’t have to spend any time trying to figure out how they’re all related.
And hey, Carl the servile robot could still be there. After all, he’s a robot, and robots don’t age. He could just be upgraded.
Yeah, I basically just threw 101 Dalmatian Street…
…and The Hilarious House of Frightenstien into a blender and called it a show, but I think it’s pretty good for something that I just pulled out of thin air after one evening in front of the TV. If anyone at Disney studios happens to read this and you like the idea….
You can transfer me the royalties. No checks, please.
Today, Nerdvana looks back at Miguzi.
For the uninformed, Miguzi was an afternoon comedy/action cartoon block that aired on Cartoon Network from April 19th, 2004 to June 1st, 2007, replacing Toonami after the latter got booted off weekday afternoons and relocated to Saturday nights due to parental outrage.
So yeah, Miguzi was basically a lighter-toned, more family-friendly Toonami, basically Toonami‘s more innocent younger sister. Folks who grew up watching Miguzi are undoubtedly familiar with the block’s roster of shows; everyone has shows they liked better than others and some which were their personal favorites. However, today’s Nerdvana is not about the shows that aired on Miguzi; the focus of this Nerdvana is the set of wraparounds for the block. (Note: I had originally considered doing this as a Cartoon Couch, but since this is about the bumpers and not the shows, I decided to do it as a Nerdvana instead.)
The animated hostess of the block was Erin, a young 13-year-old CGI girl with black hair, green eyes and a yellow jumpsuit (voiced by Jessica DiCicco; Miguzi was my first exposure to Ms. DiCicco as a voice actress; I think she also voiced the title character on a Disney show called The Buzz on Maggie around the same time, but I never saw that show and based on what folks on the net have told me about it, it doesn’t sound like I missed anything great) who, at the start of the block, was transported underwater and into a sunken alien spaceship by an enormous mutant red fish with multiple eyeballs. (More on this later.)
There, she chills out and watches the shows along with a group of mutant sea creatures and robots, none of whom speak but all of whom have rudimentary personalities. Between the shows Erin and company would indulge in cute, goofy slapstick bits o’ business.
I enjoyed the shows on Miguzi enough, but I have to admit that these wraparounds were among the major selling points for me. Don’t get me wrong; no one’s denying the awesomeness of Tom…
…SARA and the Absolution…
…but the Miguzi bumps struck a chord with me, because they were closer to my tastes in entertainment and humor. Cool is definitely cool, but cute, funny and silly have their place too.
Trivia Time: I liked the Miguzi bumpers so much that when we were trying to come up with a name for this site, one of my suggestions was ‘Sunken Spaceship’ in honor of these bumps.
Granted, this premise posed numerous mind-bogglers, such as:
How exactly did this kid come to know about this submerged alien spacecraft in the first place? How did she gain these aliens’ trust? And what was the aliens’ deal, anyway? What were they doing on Earth, why did they come here and how long have they been down there? Were the aliens stuck down there at the bottom of the ocean, or could they leave whenever they wanted? Was the ship damaged? Or was it just the propulsion mechanism that was busted, since other devices inside the ship seemed to work just fine? Were all the aliens from the same planet, or were they from different planets? Several of them were tricloptic (as in 3-eyed); did they mutate while underwater, or were they born that way? And what was the giant mutant fish’s deal? Didn’t Erin’s parents worry about her spending her afternoons at the bottom of the sea with a bunch of aliens? Did anybody else know about the sunken spaceship? Inquiring minds want to know!
-OK, enough over-thinking things. It’s probably best to just chalk everything up to ‘cartoon logic’ and not focus on the logistics too much. The point was to have fun watching the Miguzi gang do wacky stuff. Erin herself seemed to fall into the ‘spunky tomboy’ archetype, enjoying sports and the like, with a playful, mischievous side, while the extraterrestrial bunch she hung out with were colorful to say the least. Because I have too much time in my hands, I’ve categorized the Miguzi Gang into 2 columns: Organics and Robotics. The spaceship’s inhabitants consisted of:
Big Stalks: (or just Stalks for short) The big, lumpy green alien with 2 spoke-like antennae sprouting from his head. As his name implies, Big Stalks was the largest one of the group, and also the strongest. He wasn’t the brightest or most graceful creature in the galaxy, but he seemed to have kind of a swagger to him. He also tends to eat whatever’s not nailed down, such as Erin’s game controller, or in one case, her math homework.
Flip: The short purple alien with the flipper hands and feet (hence his name) who’s third eye stood at the end of his single antenna. He seemed friendly enough, if a tad slow on the uptake.
Curly: a blue octopus-y thing with 2 long tentacles for arms and a third sprouting from his head who rode around in a small tank-like containment suit of some kind, with a bubble-shaped see-though helmet. (It’s unclear if he needed this to survive or if he could safely exist without it, as we never saw him not wearing it. In one ‘We’ll Be Right Back’ illustration we see Curly eating a sandwich with the helmet removed; that’s as close as he ever came to removing the suit.) Curly seemed to be a tad smarter than the other ship members, if a bit on the stiff side (though this could be attributed to his being stuck in a tank thingy), as such Curly was a frequent butt of the gang’s slapstick, such as one bit where Erin draws a mustache and glasses on Curly’s helmet with a marker.
Tre: a small green, tentacled stump-like being with multiple stringy protrusions with an eyeball at the end of each. Tre seemed more like a pet than the more sapient creatures aboard the ship, as evidenced by one bump in which Erin is seen bathing Tre in a sink like a household dog or cat.
Yoke: A later addition to the cast, Yoke was the result of a “Make a MonsterPiece” contest was held on cartoonnetwork.com from November 22, 2004 to January 15, 2005, in which viewers could enter for a chance to have their drawing appear on Miguzi. Hundreds of entries were submitted and a panel of judges selected the winning drawing that was then turned into an animated character. Yoke was the winning submission, drawn by Kyler Spears.
Yoke himself was a small, green, slimy looking alien who was contained inside a egg-like flying mini-spacecraft type mechanism, where he sat in a pool of some unidentified green ooze.
No on-air explanation was given about Yoke’s sudden arrival onto the ship, it just happened. One day he wasn’t there, the next day he was. It was like magic. In-universe, Yoke was revealed by Erin to be Curly’s younger brother (though how she figured this out was anybody’s guess, since the 2 looked nothing alike), and indeed, Yoke seemed more like a kid than the others. Yoke also possessed telekinetic powers (activated by a light on the antenna on his head), so a lot of the jokes involving him showed him levitating things around while the others stood agape. (Erin once asked Curly if he could do telekinesis, and he seemed miffed by the question.) My brother Jason said that he wasn’t too crazy about Yoke as he came off like a canon Marty Stu, as he had a super power and no one else did, and I see where he’s coming from, but I also counter with this:
The dude had no limbs. If Yoke had arms or legs, they were buried under all that ooze and he couldn’t use them. Unlike Curly, no part of Yoke’s body was outside of his mini-ship device, so he couldn’t reach for, touch or grab anything; his t.k. powers were actually kind of a necessity for him.
Monitor: a self-aware TV monitor who had the most important job of all: he showed the cartoons the gang sat down to watch. He would also sometimes communicate via words that appeared on his screen. He was usually stationery, but in a couple of bumps he was shown to have robotic arms and legs.
Remo: a self-aware TV remote with a single antenna on his head as well as arms and legs. Since he could move around on his own, he would sometimes get lost, in one instance he was spotted floating around outside the ship.
Bass: a self-aware speaker, also with limbs and a pair of antennae. His most famous appearance was in bit in which Bass is playing corny elevator music (or alternatively corny country music) and Big Stalks comes along and kicks him on the butt, changing the music to something more funky.
Tweet: A tiny robot (he’s pictured there at the top left), with a spherical black orb head. As his name implies, Tweet communicated by tweeting sounds. As the smallest thing on the ship, a lot of the gags involving Tweet dealt with the problems he encountered due to his diminutive size, such as the time he nearly got eaten by Big Stalks since he was sitting by a bowl of popcorn on the couch.
One thing I liked about the Miguzi Gang was how there was no caste system on the ship. Everyone, organic or robotic, had equal status among the group and no one was treated any different because of their color, or whether or not they have powers or how many eyes they had.
Of course it wasn’t all gravy; I did (and still do) have some minor gripes. It always bugged me how Erin was the only character capable of speaking English; it was like Larry and a whole crew of Darryls. And it really annoyed me how all of the spaceship’s various members were guys. Not one girl! Then CN has a contest for fans to draw a new character and the winner is yet another dude? What the actual what??
-But minor nitpicks aside, I still enjoyed the antics of Erin and the Miguzi Gang. They were probably the coolest gang of spaceship dwellers.
-OK, the second coolest.
Just like the title says, all of this renewed hype about Looney Tunes, brought on by the impending premiere of Looney Tunes Cartoons on HBO Max, has brought to mind one Looney Tune who so far I haven’t seen in any of these shorts…one Lola Bunny.
Not since Scrappy-Doo have I encountered so polarizing a cartoon character. You see, when Lola made her debut in Space Jam, she looked like this:
But later on, when she returned for The Looney Tunes Show, she was changed to this:
While some fans were OK with the change, several others were suddenly like:
And for a long time, I wondered…why? Why are so many fans enraged by this new take on the character? Why does TLTS Lola inspire so much hatred among some folks? Now, if you ask the average Lola hater, they’ll usually say something along the lines of:
And you know what?
Yeah, all that stuff Lola anti-fans like to throw out and tell you (and tell you and tell you and tell you) is a complete load. It’s Grade A Bolognium. I wish I had some bread so all of this baloney wouldn’t be going to waste. These reasons for hating TLTS Lola have always seemed weird to me, but I could never quite put my finger on what was so off about these complaints, aside from the obvious fact that they make no sense. When I noticed that it’s only MALE fans who go on about the Lola hate that I began to put 2 and 2 together. What REALLY gave it away was when a Lola hater made a comment on this very site proclaiming that Daisy Lou (a love interest rabbit character who only appeared in a single short, “Hare Splitter”, 1948, d. Friz Freleng) would be a better choice for a female Looney Tune than Lola.
That’s when it hit me. Do you want to know the REAL reason why these guys hate the new Lola so much? Do you wanna strip away the convoluted crapola? You really want to get down to it? Forget all that smoke they like blow up your ass. Whenever TLTS Lola haters say all that stuff I typed above, what they’re REALLY saying is this:
That’s it. The Space Jam version of Lola made these folks feel funny down there, and they don’t get that same special feeling when watching the new Lola. THAT’S what they’re up in arms about.
Trust me, it is. Think about it. None of the arguments they say out loud make any sense.
We’re talking about a comedy franchise here. Since when are the likes of Elmer Fudd, Daffy Duck, Pete Puma or Beaky Buzzard towering intellects? Since when is that even a requirement? Why is it OK for male characters to goof it up, but when a female character does the same thing, some nonexistent rules are somehow being broken? Not only does that complaint make no sense, but it’s downright hypocritical, because many of these hardcore Lola Bunny haters are also big fans of characters like Pinkie Pie from My Little Pony or Harley Quinn from DC Comics and DC Super Hero Girls. If you think this:
…Are somehow better than this:
Ladies, don’t you just love it when guys try to mansplain to you what feminism is? I’m not going to get up on a soapbox here, since as a male, I’m hardly an expert on the subject, but based on what I’ve seen, heard, read and observed, ultimately feminism is about choice; namely, a woman is free to choose to be whatever the hell she wants to be, and that includes being funny, silly and ridiculous. Why are the guy Looney Tunes allowed to be silly and loony and zany but when Lola does it, it’s bad? Holding female characters to different standards and decrying a female character for being clownish while deeming it A-OK for a male character to do the same is itself sexist. When you magically grow a vagina, then you can lecture me about feminism. Until then, cram it!
“Role models?” Excuse me?? You think these guys…
…Are role models? Dude, who’s your dealer? ‘Cause that’s some primo stuff you’re spinning on! The Looney Tunes are not, repeat, NOT role models. You’re not supposed to gel any life lessons from these characters; you’re just supposed to laugh at their wacky antics. Bugs Bunny is not a role model; he’s a rebel and a wiseass and a prankster and a troublemaker. That’s why he’s such an awesome character. It’s also why Lola had to change. Regardless of how you felt about The Looney Tunes Show itself, one thing the show did very right was rethink Lola. C’mon, really, what exactly was so great about the Space Jam version?
Yeah, she may be nice to look at (if you’re into that sort of thing, I’m not personally, but I’m not knocking those who are), but there’s a serious flaw with the original Lola, namely:
SHE. WASN’T. FUNNY. The Looney Tunes franchise has no use for an unfunny character.
I challenge any of these alleged fans of Space Jam Lola to describe the character using any other adjective besides “pretty”, “cute”, “sexy” or “hot”. You can’t, because beyond being ‘Va-Va-Va-Voom!’ sexy, Space Jam Lola had no personality.
That’s when the anti-fans’ arguments really fall apart. Why is it such a bad thing for a Looney Tune to act loony??
Space Jam Lola would never do any of those things, because that would require her to have a personality, opinions, quirks or a character, which that version is clearly devoid of. Space Jam Lola was just furry fetish fuel, nothing more. I’m not saying that a cartoon character can’t be attractive; goodness knows I’ve had my share of cartoon crushes, but there’s absolutely no reason for a woodland creature to be sexy unless you’re a guy rabbit and you wanna ‘do the math’, if ya know what I mean.
I’m not going to make fun of furries because they don’t deserve to be made fun of, but let’s face it: when these Lola haters see Lola on the screen, they don’t want to laugh; they want to get their rocks off, and they can’t do that with the new Lola, and THAT’S the real reason they hate this new take on the character so much.
So from now on, when the subject of post-Space Jam Lola comes up and one of these folks starts bloviating about how the character’s a disgrace and an abomination and whatnot, keep the above in mind, and then just tell ’em:
OK, so Scoob! happened.
As you know by now, we don’t review movies here at Twinsanity, so I won’t go into detail about the movie itself (there are already a ton of reviewers YouTube who have done that already), I’ll just say that my assessment of the film overall was…
It was OK. Not great, not groundbreaking, just OK. I don’t think it was low-grade dog food like many people on the internet apparently do, but I admit that its’ main draw was either for die hard Scooby-Doo fans or people in my age bracket (40-100 and up) who grew up with 1960’s through 1980’s Hanna-Barbera cartoons and will therefore recognize and appreciate the many references, allusions and callbacks.
No, I didn’t think Scoob! was swill, but believe it or not, that’s not the Unpopular Opinion of this post. Today’s Unpopular Opinion is that, regardless of what I thought about the movie itself…
I liked the movie’s takes on Blue Falcon…
To understand why I feel this way (and to get the young’uns in the crowd up to speed), here’s a brief history lesson:
Blue Falcon and Dynomutt, Dog Wonder made their debut on ABC’s Scooby-Doo/Dynomutt Hour in 1976. The Blue Falcon (originally voiced by Gary Owens) was a Batman-esque superhero (his alias was that of millionaire playboy Radley Crown) and Dynomutt (originally voiced by Frank Welker) was his eager, brave but comedically inept sidekick, who just happened to be a talking robot dog. Dyno’s bumblings were so frequent that Blue Falcon (or “B.F”, as Dynomutt called him) would often refer to him as ‘Dog Blunder’.
The duo later turn up in–of all places–an episode of Dexter’s Laboratory entitled “Dyno-Might”.
In it, the Falcon’s arch-foe, The Buzzard, ‘kills’ Dynomutt in battle and BF comes to Dexter for assistance. Dex rebuilds Dyno, but feels that the goofy ‘Dog Blunder’ isn’t a worthy sidekick to an awesome superhero like Blue Falcon, so he builds a replacement called Dynomutt X90, a more efficient but far more aggressive robot dog who’s so extreme that he sets a man on fire for littering and nearly laser blasts a little girl for picking a flower before he’s stopped by the re-activated original Dynomutt.
At the end of the short, Blue Falcon says that he prefers having a comic relief sidekick because it makes him look cooler. Dexter, who’s saddled with Dee-Dee, agrees.
Fast-Forward to Scooby-Doo: Mystery, Inc. BF and Dyno turn up in this series as well (by this time it’s been long established that the crime fighting duo know and are well-acquainted with the Scooby-Doo gang, as they’ve met and crossed over on numerous occasions and even appeared alongside one another on the Scooby Doobies team on ABC’s Laff-A-Lympics), albeit with a slightly revised backstory and some notable changes in characterization.
Here, rather than being a rich playboy, Radley Crown is a security guard at one of the laboratories of Quest Industries (as in Dr. Benton Quest, father of Jonny Quest–yes, Jonny Quest, Scooby-Doo and Blue Falcon exist in the same universe–it’s canon now) and Dyno is his faithful dog Reggie. One fateful night the two are attacked by a mutated monster created by Mad Science and Reggie is seriously injured in the attack. Desperate to save his friend, Crown enlists the aid of Dr. Benton Quest himself, who utilizes Quest technology to transform Reggie into a super canine cyborg. While Dyno here is his usual goofball self, B.F. is more gritty, angtsy and edgy, basically a spoof of Frank Miller’s Batman from The Dark Knight Returns.
And now we come to today. B.F. and Dyno turn up again in Scoob!. Here, Blue Falcon is a very famous and highly revered superhero, idol to millions and heavily trademarked, BUUUT (*Spoilers for those who haven’t seen the movie, or actually care, which I doubt is many of you) this Blue Falcon is not Radley Crown, rather it’s his adult son Brian Crown, a somewhat goofy and slightly egotistical glory hog who seems more interested in promoting his brand than saving the world.
Dynomutt meanwhile has apparently been upgraded to a sleeker, cooler and far more competent version of himself; his tech is 100 times cooler, he’s more sarcastic and quick to chide his new partner and his goofy giggles have been replaced by a more annoyed wiseguy voice, provided by Ken Jeong.
And I enjoyed the heck out of these guys, particularly Dynomutt 2.0. Confession time: I’ve always thought Dynomutt was kind of cool. Despite his usual portrayal as a bumbling dufus who hindered Blue Falcon’s efforts as much as he helped them, I always though his tech was pretty cool. Back in the ’70’s, Dynomutt, along with the Robonic Stooges…
Were what first attracted me to the idea of utilizing high-tech as a super power. These guys were the Robocops and Cyborgs of their day. So I was actually glad to see Dynomutt on screen and not being a joke. You’re free to disagree with me but I thought Blue Falcon and Dynomutt’s banter was funny and I love their new designs. The details on Brian’s costume looked awesome and this new Dynomutt is just cool-looking and badass.
Plus, I can’t be the only one who’d like to see an animated series starring these two. C’mon, a Booster Gold-esque Blue Falcon trying to make a name for himself while struggling to live up to his father’s legacy and his snarky but efficient robot dog companion? I’d watch the heck out of that show!
Even if you don’t agree with me on that, there’s something else I think we can all agree on:
Kid Daphne in this movie was cute as a button!